Thursday, October 14, 2010

Response Paper


The topic I decided to use for my response paper is the typical radical romance and boy meets girl genre but with a twist. The piece of media I decided to use is a movie titled “Boomerang”. Even though the movie delivers the average radical romance there a twist within the plot.
            A romantic comedy is a dramatic story about romance told with a light, humorous touch. The romantic comedy often offers an experience of shared intimacy to couples married, dating, old, young, life-hardened that is fulfilling and pleasurable, and difficult to initiate or sustain for some people is that two protagonists, usually a man and a woman, meet, part ways due to an argument or other obstacle, then ultimately reunite. Usually the two protagonists meet and become involved initially, then must confront challenges to their union. Sometimes the two protagonists are hesitant to become romantically involved because they believe that they do not like each other, because one of them already has a partner, or because of social pressures. However, usually screenwriters leave clues that suggest that the characters are, in fact, attracted to each other and that they would be a good love match. The protagonists often separate or seek time apart to sort out their feelings or deal with the external obstacles to their being together..  While the two protagonists are separated, one or both of them usually realizes that they are ideal for each other, or that they are in love with each other. Then, after one of the two makes some spectacular effort to find the other person and declare their love.        
            This movie follows the same rhetoric of a romantic comedy that is explained in Tamar McDonald’s romantic comedy of boy meets girl, boy loses girl, boy regains girl and lives happily ever after. Though in this film, there is actually more subjectivity than that. As a somewhat sexual role reversal to conceptual thinking has gone on. As Eddie Murphy is characterized as the player he is actually the one through the whole film being played. As the character Jacqueline, who is this strong, independent, self made woman has actually in turn became the female version of Murphy in the movie. This is personified in the scene when Jacqueline leaves after the both of them had just had sex and instead of cuddling and showing affection she decides to leave. As he explains, "Hey, wait a minute," he thinks. "That's my trick.” Jacqueline personifies the type of woman that where created during the sexual revolution as woman decided whom the wanted to have sex. Her education and her corporate demeanor was completely opposite of Halle Berry ‘s character Angela who forces this film to follow the boy meets girl genre. She is Eddie Murphy’s rebound, as Marcus becomes exactly like the woman he has hurt after breaking up with them: hurt, alone, and depressed. As she begins to go out with him (throughout the film you will notice that she expresses her feelings subtly), she becomes his new love interest. She even takes him back after he has an affair with Jacqueline, which shows the sharp contrast between her and Jacqueline in the first place           
            Boomerang is great movie to examine the constructs of relationships how they differ between people. The movie is a great way to exemplify the ideas of gender role where man is supposed to act a certain way and as for woman. Boomerang also exposes societies out look of a strong woman as with Jacqueline not getting the happy ending as Marcus did, even though she played the same games that he did. The male chauvinistic ideals are lambasted but do examine the genre.

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